Back in February, Matt DeAngelis’ “In This World” looked outward, widening the frame from the individual to the shared experience of simply being human. It was a song about compassion, unity, and finding a steadier moral compass amid the noise of everyday life. “Playing God” picks up that same conversation but turns the mirror in a different direction, as the new track asks what happens when we become too convinced that we can control everything around us. It gives an intrigu

Back in March, Andy Smythe’s “Life of a Man” walked through the uncertainty of modern life with its sleeves rolled up, pairing folk-rock warmth with sharp observations about generations struggling to find solid ground. It was a song that looked outward, questioning the world and the pressures it places on us, yet still kept moving with that quietly hopeful “I’ll keep on walking” spirit. “Beautiful Day” feels like the natural turn of that same journey, shifting the gaze from t

Some songs begin with a destination in mind. Lior Golan’s “Midnight Train,” our top pick from the EP "MIDNIGHT TRAINS," begins with the need to leave. From its first thunderous drums and blues-soaked guitars, it carries the unmistakable momentum of something already in motion, while Golan’s gritty, weathered vocals give that journey a human pulse. “Ain’t slowing down / Ain’t turning back” sounds less like a rock ’n’ roll catchphrase than a line drawn in the dust. Behind the s

In July, Wired Euphoria’s “Fantasy Switch” felt like a plunge into emotional static, a song where heartbreak, desire and self-destruction disappeared beneath towering guitars and relentless drums. If that track found the Nottinghamshire duo willingly stepping deeper into the beautiful chaos of their sound, “Malware” discovers a wonderfully crooked way to channel that same intensity. The walls of distortion are still standing, the grunge bite remains, and Harry Barber’s drums

Some artists spend their careers trying to outrun the past. Steve Montgomery seems perfectly happy to take the past, plug it into an amplifier, and turn it up. With "Living The Dream Right Now", he makes a compelling case for the enduring power of guitar music, connecting the unfussy spirit of classic rock with the hooks of power pop and the rougher edges of indie rock. It is a record that feels refreshingly unconcerned with whatever happens to be fashionable, because Montgom

There’s a particular pleasure in hearing an artist revisit an older song and discover that the version living in their head was actually louder, stranger, sharper, and more fun than the first recording. That is exactly what happens with the album version of “Sing-Along Songs”, the 2026 reimagining of Arne Floryd’s 2024 indie-pop oddity. It doesn’t feel like a cosmetic rerecording or a desperate attempt to make an old track relevant again. Instead, Floryd and co-producer David

DAPS As you listen to Daps' discography, he has already shown that he understands the oldest rule in hip-hop - if you want the room to listen, you better have something worth saying. With “Down Wit Dat (Cold Killa),” he sharpens that instinct into a hard-edged statement that is deeply rooted in the streets of West Philadelphia while carrying the competitive spirit of classic rap. A fascinating artistic connection here to the kind of hip-hop that treated the microphone as both

After guiding us through the beautifully tangled emotions of adolescence in "Clumsy Girl" last time, Kelsie Kimberlin returns with a striking shift in perspective. The uncertainty is still there, but it no longer takes centre stage. Where her previous single searched for confidence beneath insecurity, "Everything's Better" wears confidence unapologetically, turning self-belief into its loudest hook. Yet the artistic thread connecting the two songs remains unmistakable. Kimber

After turning heartbreak into haunted highways on "Poltergeist Shopping," Wired Euphoria returns with a song that feels less like escaping the ghosts and more like learning to live inside them. If June's review explored the lingering shadows of memories that refused to loosen their grip, "Fantasy Switch" pushes even deeper into the emotional static, where longing, desire, and self-destruction blur beneath towering walls of distortion. The Nottinghamshire duo haven't abandoned

After listening to Fiona Amaka's music catalogue, it seems there has always been something quietly disarming about her songwriting. While many artists search for bigger choruses or bolder production with each release, she continues to move in the opposite direction, trusting honesty over spectacle and intimacy over excess. If her previous work introduced a songwriter unafraid to explore life's emotional complexities through soulful folk, indie-pop warmth, and reflective story

Back in 2023, when we last reviewed BAÏKI, they invited us to think inside "Les boîtes," using rebellious cardboard boxes and playful absurdity to question conformity, social conditioning, and the quiet pressure to fit neatly into the world's expectations. It was humorous on the surface, quietly radical underneath, proving that the band's sharpest observations often arrive disguised as entertaining stories rather than political manifestos. Nearly two years later, we notice th

About a year ago, when we last reviewed, Harry Kappen turned his gaze outward with "Break These Chains," a song that challenged complacency with urgent guitars and fearless conviction. It was protest rock with its sleeves rolled up, confronting fractured societies head-on and asking listeners not merely to observe the world, but to question it. Now, with "Distant Shore," he takes another remarkable step in that artistic evolution. The anger softens into empathy, the protest b

Some artists collect influences like souvenirs. 4fro Nick collects them like passport stamps, each one leaving a permanent mark on his soul. From the sunlit spirit of Crete to the relentless rhythm of New York and the kaleidoscopic creativity of Los Angeles, his music has always felt like a journey rather than a destination. With "Don't Waste My Time (LA Mix)," that journey reaches another vibrant stop, one where psychedelic textures, indie-rock swagger, soulful grooves, and

Last time, Arn-Identified Flying Objects and Alien Friends invited us to look backward with tenderness. "Bells of Silver" carried memory like a family heirloom, polishing old stories until they caught the light again, proving that the past could comfort as much as it could haunt. But with "The Hag," Arne Floryd reaches into history with a very different intention. This time, he isn't opening a drawer of cherished keepsakes. He's unearthing a grave that was never meant to stay

The tracks from the album "9 DREAMS" by the California-based artist Johnny Reed invite us all to wander through dreamscapes where memory, intuition, and imagination blur into one another. His songwriting often felt less concerned with arriving at answers than with exploring the questions themselves. With "Floating Within," our favorite off the album, that journey seems to reach a fascinating new crossroads. Instead of looking outward toward the shifting horizon between dreams

Some artists return to music by trying to remind listeners who they once were. Stefanie Michaela seems far more interested in showing who she has become. Ever since her re-emergence with "Turning Pages", there has been a noticeable thread running through her work, a commitment to growth, self-discovery, and finding light without denying the shadows that came before it. With “Let Me See The Real You,” that conversation takes another meaningful step forward. It’s the moment you

Back in March, Wired Euphoria’s “Lifestyle” felt like a pressure valve bursting open. It charged forward on distortion, anxiety, and restless momentum, capturing the chaotic noise of modern existence with the urgency of a band determined to outrun its own thoughts. The guitars roared, the drums refused to sit still, and beneath all that fuzz and feedback lurked a narrator trying to make sense of a world that seemed permanently set to overload. Now, with “Poltergeist Shopping,

Last month, with “Lady Liberty”, Kelsie Kimberlin stood beneath flickering ideals and asked what happens when symbols of hope begin to look weathered by the very world they were meant to inspire. That song carried the weight of monuments, history, and collective anxiety in its bones. But with “Clumsy Girl,” Kimberlin pivots somewhere far more intimate without losing the emotional honesty that has come to define her recent work. Instead of staring up at fractured national icon

Last year, Wild Horse’s “Magpies” felt like a band staring directly at trust issues under dim pub lights, turning paranoia, guardedness, and emotional self-preservation into something slyly melodic and deeply human. It carried the restless pulse of a group beginning to look inward, peeling back the swagger just enough to let vulnerability creep through the cracks. Now, with “Moments,” that crack has widened into something far more reflective. The East Sussex quartet haven’t a

Moroccan hiphop artist Chico Loco 40 raps like he has already walked through the aftermath and is simply reporting back from it. That distinction matters. In a landscape overcrowded with performance, exaggeration, and algorithm-chasing aggression, Samir Libari’s work feels unsettlingly grounded, less interested in spectacle than in tension, memory, and survival. With “Eye For An Eye,” that approach sharpens into something almost documentary-like. The same stripped realism and