Back in June 2023, when we last wrote about her music, Izira Burley didn’t just arrive, she lingered. With “I Only Have the World,” she carved out a space defined by hushed intensity and haunting vocal precision, the kind of debut that didn’t need to shout to be heard. It felt intimate, immediate, and quietly assured, like an artist already fluent in the language of emotional restraint. Now, with “In The Dark,” Burley doesn’t abandon that world, she deepens it. There’s a p

Just last month, Wired Euphoria came crashing through with “Lifestyle,” a track that thrived on nervous energy and forward momentum, all sharp edges, spiraling thoughts, and a refusal to stand still. It felt like a band running at full speed through their own anxieties, turning existential dread into something loud, kinetic, almost combustible. Now, with “Wishes,” they do something far more unsettling. They slow down. Not into comfort, but into confrontation. The same emot

Last year in October, with “Dream of Peace,” Kelsie Kimberlin lifted her gaze skyward, turning personal growth into something cinematic and outward-facing, a song that dared to imagine compassion on a global scale. It felt like an artist stepping beyond herself, letting her voice carry weight far bigger than melody alone. Now, with “Champ,” she doesn’t just continue that trajectory, she grounds it. This time, Kelsie isn’t asking us to look at hope from a distance. She plac

Back in January, Wired Euphoria first crashed onto our radar with “Glass of Wine,”  a track that swayed between reckless distortion and late-night vulnerability, introducing a band that clearly preferred emotional chaos over careful polish. Now they’re back, and if that single felt like the opening toast, “Lifestyle”  is the after-midnight escalation, louder, messier, and charged with the same restless spirit. The Nottingham outfit once again leans into the beautiful turbule

"I believe that every musician should be unique in his or her way. Some of the qualities like stage presence and confidence are a must. Engaging the audience and creating a connection during live shows is very important too. So basically it's not only about how good somebody can sing or play an instrument. There are so many elements involved to be a great and successful musician" Antonio Marro 1) Hello, welcome to the OG Music Blog Interview! First of all, tell us and our rea

When we last stepped into the imaginative world of Arn-Identified Flying Objects and Alien Friends in July last year, the journey unfolded through the sprawling, candlelit atmosphere of the album “17 Birds at the Summer’s Gate.”  It felt like wandering through Arne Floryd ’s inner cosmos, where folk-rock shimmered, psych-tinged melodies drifted like lanterns in the dark, and introspection replaced the playful neon wink of his earlier work. That double-album landscape suggest

Last October, when we reviewed “5…4…3…2…1…” , Zachary Mason felt like an artist speaking from orbit. He framed his world in countdowns and cosmic metaphor, balancing wit with a growing sense of gravity, as if each song was a transmission sent just before reentry. There was spectacle in that moment, but also a quiet signal that something more grounded was coming. “Sweetheart” is where that signal lands. Instead of launching outward, Mason turns inward, trading the vastness

Wired Euphoria ’s “Glass of Wine” doesn’t wait for permission. It arrives already buzzing, distortion bleeding through the walls, mood swinging somewhere between reckless confidence and late-night vulnerability. Before the chorus even lands, you know you’re stepping into a world that’s loud, unfiltered, and emotionally unsteady in all the right ways. This is the sound of a band introducing themselves not with pleasantries, but with a raised glass, a cracked grin, and the pr

When we last heard from Zachary Mason , he was funking through the cosmos with “The Funky Martians” , a tongue-in-cheek burst of sci-fi...

I’m really excited to listen to The Fades ' latest release, “This Scene is Over” . The post-punk/garage indie band from London, UK,...

Back in June, Wild Horse had us tangled in the restless tenderness of “Overthinking” , a song about that dizzying moment when emotions...

Exactly one year ago, we found ourselves drawn into Love Ghost ’s world with “2Young4U” ,   which is a bilingual collaboration that...

Rosetta West is back again with another Blues Rock, yet unconventional cross-genre album, "God of the Dead" . It crosses the edges of...

Back in May, we called Zachary Mason an “emotional shapeshifter” , a songwriter who could drift through chaos like mist in "Madness...

Some bands write songs. Rosetta West conducts seances. Last month, “Circle of Doubt”  dragged us through smoke and scripture, offering a...

Sometimes the songs that hit hardest don’t arrive with fireworks, they slip in quietly, strike a chord, and linger long after the last...

When we last caught up with Wild Horse in April, they had just stepped into a new era with “Read My Mind (Vibes Song)” , a track that...

Just one month ago, Rosetta West scorched their way into our psyche with “Snake 25”, a six-minute baptism of fire that slithered...

La Need Machine returns with " Pourquoi? C’est L’Amour!" , a genre-blurring, heart-bursting collection that reads like a love letter to...

Back in 2022, we first tuned into the cosmic transmissions of Arn-Identified Flying Objects and Alien Friends  with “Cities Above”, a...