After turning heartbreak into haunted highways on "Poltergeist Shopping," Wired Euphoria returns with a song that feels less like escaping the ghosts and more like learning to live inside them. If June's review explored the lingering shadows of memories that refused to loosen their grip, "Fantasy Switch" pushes even deeper into the emotional static, where longing, desire, and self-destruction blur beneath towering walls of distortion. The Nottinghamshire duo haven't abandoned

About a year ago, when we last reviewed, Harry Kappen turned his gaze outward with "Break These Chains," a song that challenged complacency with urgent guitars and fearless conviction. It was protest rock with its sleeves rolled up, confronting fractured societies head-on and asking listeners not merely to observe the world, but to question it. Now, with "Distant Shore," he takes another remarkable step in that artistic evolution. The anger softens into empathy, the protest b

Some artists collect influences like souvenirs. 4fro Nick collects them like passport stamps, each one leaving a permanent mark on his soul. From the sunlit spirit of Crete to the relentless rhythm of New York and the kaleidoscopic creativity of Los Angeles, his music has always felt like a journey rather than a destination. With "Don't Waste My Time (LA Mix)," that journey reaches another vibrant stop, one where psychedelic textures, indie-rock swagger, soulful grooves, and

Last time, Arn-Identified Flying Objects and Alien Friends invited us to look backward with tenderness. "Bells of Silver" carried memory like a family heirloom, polishing old stories until they caught the light again, proving that the past could comfort as much as it could haunt. But with "The Hag," Arne Floryd reaches into history with a very different intention. This time, he isn't opening a drawer of cherished keepsakes. He's unearthing a grave that was never meant to stay

The tracks from the album "9 DREAMS" by the California-based artist Johnny Reed invite us all to wander through dreamscapes where memory, intuition, and imagination blur into one another. His songwriting often felt less concerned with arriving at answers than with exploring the questions themselves. With "Floating Within," our favorite off the album, that journey seems to reach a fascinating new crossroads. Instead of looking outward toward the shifting horizon between dreams

Back in March, Wired Euphoria’s “Lifestyle” felt like a pressure valve bursting open. It charged forward on distortion, anxiety, and restless momentum, capturing the chaotic noise of modern existence with the urgency of a band determined to outrun its own thoughts. The guitars roared, the drums refused to sit still, and beneath all that fuzz and feedback lurked a narrator trying to make sense of a world that seemed permanently set to overload. Now, with “Poltergeist Shopping,

Last year, Wild Horse’s “Magpies” felt like a band staring directly at trust issues under dim pub lights, turning paranoia, guardedness, and emotional self-preservation into something slyly melodic and deeply human. It carried the restless pulse of a group beginning to look inward, peeling back the swagger just enough to let vulnerability creep through the cracks. Now, with “Moments,” that crack has widened into something far more reflective. The East Sussex quartet haven’t a

Last month, Kelsie Kimberlin’s “Champ” felt like a clenched fist wrapped in melody, a song that stood shoulder to shoulder with resilience and refused to blink in the face of chaos. Now with “Lady Liberty”, Kimberlin takes that same thread and pulls it somewhere even more delicate. Instead of writing about survival in the middle of the storm, she turns toward the symbol that once promised shelter from it. And as this new single begins to transpire, it becomes clear she is no

Last month, Arn-Identified Flying Objects and Alien Friends gave us “Vagnar av guld,” a song that felt like a golden thread stitched through memory, carrying childhood, legacy, and quiet wisdom in its original Swedish form. It was intimate in a way that did not need translation, because the emotion itself was already speaking fluently. Now Arne Floryd returns to that same song from a different doorway, and instead of simply rewriting it in English, he reveals another side of

Back in June 2023, when we last wrote about her music, Izira Burley didn’t just arrive, she lingered. With “I Only Have the World,” she carved out a space defined by hushed intensity and haunting vocal precision, the kind of debut that didn’t need to shout to be heard. It felt intimate, immediate, and quietly assured, like an artist already fluent in the language of emotional restraint. Now, with “In The Dark,” Burley doesn’t abandon that world, she deepens it. There’s a p

Just last month, Wired Euphoria came crashing through with “Lifestyle,” a track that thrived on nervous energy and forward momentum, all sharp edges, spiraling thoughts, and a refusal to stand still. It felt like a band running at full speed through their own anxieties, turning existential dread into something loud, kinetic, almost combustible. Now, with “Wishes,” they do something far more unsettling. They slow down. Not into comfort, but into confrontation. The same emot

Last year in October, with “Dream of Peace,” Kelsie Kimberlin lifted her gaze skyward, turning personal growth into something cinematic and outward-facing, a song that dared to imagine compassion on a global scale. It felt like an artist stepping beyond herself, letting her voice carry weight far bigger than melody alone. Now, with “Champ,” she doesn’t just continue that trajectory, she grounds it. This time, Kelsie isn’t asking us to look at hope from a distance. She plac

Back in January, Wired Euphoria first crashed onto our radar with “Glass of Wine,” a track that swayed between reckless distortion and late-night vulnerability, introducing a band that clearly preferred emotional chaos over careful polish. Now they’re back, and if that single felt like the opening toast, “Lifestyle” is the after-midnight escalation, louder, messier, and charged with the same restless spirit. The Nottingham outfit once again leans into the beautiful turbule

"I believe that every musician should be unique in his or her way. Some of the qualities like stage presence and confidence are a must. Engaging the audience and creating a connection during live shows is very important too. So basically it's not only about how good somebody can sing or play an instrument. There are so many elements involved to be a great and successful musician" Antonio Marro 1) Hello, welcome to the OG Music Blog Interview! First of all, tell us and our rea

When we last stepped into the imaginative world of Arn-Identified Flying Objects and Alien Friends in July last year, the journey unfolded through the sprawling, candlelit atmosphere of the album “17 Birds at the Summer’s Gate.” It felt like wandering through Arne Floryd ’s inner cosmos, where folk-rock shimmered, psych-tinged melodies drifted like lanterns in the dark, and introspection replaced the playful neon wink of his earlier work. That double-album landscape suggest

Last October, when we reviewed “5…4…3…2…1…” , Zachary Mason felt like an artist speaking from orbit. He framed his world in countdowns and cosmic metaphor, balancing wit with a growing sense of gravity, as if each song was a transmission sent just before reentry. There was spectacle in that moment, but also a quiet signal that something more grounded was coming. “Sweetheart” is where that signal lands. Instead of launching outward, Mason turns inward, trading the vastness

Wired Euphoria ’s “Glass of Wine” doesn’t wait for permission. It arrives already buzzing, distortion bleeding through the walls, mood swinging somewhere between reckless confidence and late-night vulnerability. Before the chorus even lands, you know you’re stepping into a world that’s loud, unfiltered, and emotionally unsteady in all the right ways. This is the sound of a band introducing themselves not with pleasantries, but with a raised glass, a cracked grin, and the pr

When we last heard from Zachary Mason , he was funking through the cosmos with “The Funky Martians” , a tongue-in-cheek burst of sci-fi...

I’m really excited to listen to The Fades ' latest release, “This Scene is Over” . The post-punk/garage indie band from London, UK,...

Back in June, Wild Horse had us tangled in the restless tenderness of “Overthinking” , a song about that dizzying moment when emotions...