Last month, Kelsie Kimberlin’s “Champ” felt like a clenched fist wrapped in melody, a song that stood shoulder to shoulder with resilience and refused to blink in the face of chaos. Now with “Lady Liberty”, Kimberlin takes that same thread and pulls it somewhere even more delicate. Instead of writing about survival in the middle of the storm, she turns toward the symbol that once promised shelter from it. And as this new single begins to transpire, it becomes clear she is no

Last month, Arn-Identified Flying Objects and Alien Friends gave us “Vagnar av guld,” a song that felt like a golden thread stitched through memory, carrying childhood, legacy, and quiet wisdom in its original Swedish form. It was intimate in a way that did not need translation, because the emotion itself was already speaking fluently. Now Arne Floryd returns to that same song from a different doorway, and instead of simply rewriting it in English, he reveals another side of

Back in June 2023, when we last wrote about her music, Izira Burley didn’t just arrive, she lingered. With “I Only Have the World,” she carved out a space defined by hushed intensity and haunting vocal precision, the kind of debut that didn’t need to shout to be heard. It felt intimate, immediate, and quietly assured, like an artist already fluent in the language of emotional restraint. Now, with “In The Dark,” Burley doesn’t abandon that world, she deepens it. There’s a p

Just last month, Wired Euphoria came crashing through with “Lifestyle,” a track that thrived on nervous energy and forward momentum, all sharp edges, spiraling thoughts, and a refusal to stand still. It felt like a band running at full speed through their own anxieties, turning existential dread into something loud, kinetic, almost combustible. Now, with “Wishes,” they do something far more unsettling. They slow down. Not into comfort, but into confrontation. The same emot

Back in January, Wired Euphoria first crashed onto our radar with “Glass of Wine,” a track that swayed between reckless distortion and late-night vulnerability, introducing a band that clearly preferred emotional chaos over careful polish. Now they’re back, and if that single felt like the opening toast, “Lifestyle” is the after-midnight escalation, louder, messier, and charged with the same restless spirit. The Nottingham outfit once again leans into the beautiful turbule

When we last stepped into the imaginative world of Arn-Identified Flying Objects and Alien Friends in July last year, the journey unfolded through the sprawling, candlelit atmosphere of the album “17 Birds at the Summer’s Gate.” It felt like wandering through Arne Floryd ’s inner cosmos, where folk-rock shimmered, psych-tinged melodies drifted like lanterns in the dark, and introspection replaced the playful neon wink of his earlier work. That double-album landscape suggest

Wired Euphoria ’s “Glass of Wine” doesn’t wait for permission. It arrives already buzzing, distortion bleeding through the walls, mood swinging somewhere between reckless confidence and late-night vulnerability. Before the chorus even lands, you know you’re stepping into a world that’s loud, unfiltered, and emotionally unsteady in all the right ways. This is the sound of a band introducing themselves not with pleasantries, but with a raised glass, a cracked grin, and the pr

Wild Horse ’s new single finds the East Sussex quartet - brothers Jack Baldwin (vocals) and Henry Baldwin (bass), Ed Barnes (drums), and newer member Jade Snowdon (keys) at a confident, lived-in place. Where their last single, “Don’t Wait” was an act of letting go and moving forward, “Magpies” turns inward as if it’s the aftermath, the ledger of trust counted and reconciled. Henry Baldwin, Ed Barnes, Jack Baldwin, & Jade Snowdon (left to right) “Magpies” lands like a

I’m really excited to listen to The Fades ' latest release, “This Scene is Over” . The post-punk/garage indie band from London, UK,...

Back in June, Wild Horse had us tangled in the restless tenderness of “Overthinking” , a song about that dizzying moment when emotions...

Rosetta West is back again with another Blues Rock, yet unconventional cross-genre album, "God of the Dead" . It crosses the edges of...

Some bands write songs. Rosetta West conducts seances. Last month, “Circle of Doubt” dragged us through smoke and scripture, offering a...

When we last checked in with Arn-Identified Flying Objects and Alien Friends back in May, “Sing-Along Songs” had us hooked with its...

When we last caught up with Wild Horse in April, they had just stepped into a new era with “Read My Mind (Vibes Song)” , a track that...

Just one month ago, Rosetta West scorched their way into our psyche with “Snake 25”, a six-minute baptism of fire that slithered...

Back in 2022, we first tuned into the cosmic transmissions of Arn-Identified Flying Objects and Alien Friends with “Cities Above”, a...

The first time I played "Snake 25" , I didn’t know what hit me. Six minutes later, I sat still, headphones off, a little rattled, a...

The last time we rode alongside Wild Horse , they were galloping through the grind with the soul-powered optimism of “Keep On Moving Up”...

Time waits for no one, and neither does The Afro Nick . With "Get There Before Noon (LA Mix)" , the Greek-born, LA-based artist delivers...

From the fiery introspection of "Burn" to the vibrant declaration of " Epitome" , Edie Yvonne ’s artistic evolution continues to...