When we last stepped into the imaginative world of Arn-Identified Flying Objects and Alien Friends in July last year, the journey unfolded through the sprawling, candlelit atmosphere of the album “17 Birds at the Summer’s Gate.”  It felt like wandering through Arne Floryd ’s inner cosmos, where folk-rock shimmered, psych-tinged melodies drifted like lanterns in the dark, and introspection replaced the playful neon wink of his earlier work. That double-album landscape suggest

Last August, Matt DeAngelis reminded us that the quiet figures in the background often carry the deepest emotional weight. With “I’m Just The Keyboard Player” , he turned humility into a thesis statement, sketching an artist more interested in meaning than spotlight. Now, with “In This World” , that perspective widens. The lens pulls back from personal identity to shared existence, from asking where we belong to asking how we treat one another once we’re here. It feels less

On August, when we last heard from Kelsie Kimberlin in “Infinite Possibilities,”  she was stepping out of the cocoon in her reflective, luminous, and learning to fly with her father’s voice steadying her own. Now, with “Dream of Peace,”  she’s no longer just finding her wings and she’s using them to carry a message that soars far beyond personal growth. “Infinite Possibilities”  was intimate and inward, while “Dream of Peace”  is expansive and outward. A cinematic plea for c

Last year, we praised Matt DeAngelis for turning quiet moments into revelations, songs that didn’t shout for attention but earned it...